Author Archive
My brother just saw the documentary about Arthur Russell and…
“It is the secret of the world that all things subsist and do not die but only retire a little from…”
- Ralph Waldo Emerson
My Winnipeg
I saw My Winnipeg this evening, directed by the beloved Guy Maddin. Tales from the Gimli Hospital is one of my favorite films, and I’m pretty much a fan of everything he’s made. I’ve seen My Winnipeg touted as a documentary, but I think Maddin’s description of it as a “docu-fantasia” is much more appropriate. I don’t want to give away anything but there are some stunning moments in this film (the horses being one of my favorite parts). Maddin skillfully and inventively blurs childhood/personal myth and metaphor with surrealist imagery, using his signature black and white style. The use of Maddin’s childhood video and photographs make this tale even more emotional and convincing. This is one of the best films I have seen in a while. Go. Now. Yes dammit.
Vachagan Narazyan
Vachagan Narazyan calls Ukraine home but hails from Russia and began his career when many artists risked imprisonment for not painting in the Socialist Realism style. There are hidden symbols that recall the struggle of his homeland in most of the work. I love the fact that Narazyan improvises his images and starts each piece directly on the canvas. There are fleeting moments and passages in the work that is indicative of this process. The figures reflect a certain fragility, frozen in time. Upon closer inspection the symbolic elements surrounding them appear slightly more sinister. There are wires and cage-like structures connecting and immobilizing them to center stage. Figures (often doll-like or masked) are stacked high in steeple-like arrangements, wavering across a still landscape. Narazyan was influenced by a traveling circus when he was a child and uses the characters he recalls from this time in his work. There is a kind of absurdist element in the work.
You can view some of his work here.

