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	<title>Loewak: independent media and news network &#187; Poetry</title>
	<atom:link href="http://www.loewak.nl/category/poetry/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.loewak.nl</link>
	<description>Independent media network</description>
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		<title>Poem about Zahra Bahrami</title>
		<link>http://www.loewak.nl/2011/01/29/poem-about-zahra-bahrami/</link>
		<comments>http://www.loewak.nl/2011/01/29/poem-about-zahra-bahrami/#comments</comments>
		<pubDate>Sat, 29 Jan 2011 11:29:52 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[iran]]></category>
		<category><![CDATA[protest]]></category>
		<category><![CDATA[zahra bahrami]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1748</guid>
		<description><![CDATA[Poem about executed dutch girl Zahra]]></description>
			<content:encoded><![CDATA[<p>This week the Iranian government hung one of my fellow countrymen because of unclear reasons. I decided to write a poem about it when i saw this picture, so here it is. This work is free of copyright so you can reproduce it wherever you want.</p>
<p><a href="http://www.loewak.nl/wp-content/uploads/2011/01/ZahraBahrami001_gr.jpg"><img src="http://www.loewak.nl/wp-content/uploads/2011/01/ZahraBahrami001_gr-300x139.jpg" alt="" title="DEN HAAG-BAHRAMI-IRAN" width="500" height="239" class="alignnone size-medium wp-image-1749" /></a></p>
<p><strong>Let&#8217;s talk about the guy in the safari shirt.</strong></p>
<p>This woman named Zahra was hanged<br />
because she drank alcohol, or protested the government, it doesn&#8217;t matter.<br />
It doesn&#8217;t matter to them and it doesn&#8217;t matter to us.<br />
Forget about Zahra. Focus on the chameleon in her hand,</p>
<p>can you see how it took the color of the street, can you see<br />
the shopping bags, the guy in the safari shirt?</p>
<p>Let&#8217;s talk about the guy in the safari shirt.<br />
He cannot be anything else</p>
<p>than a guy with a belly<br />
in a too small safari shirt<br />
even if he tries very hard</p>
<p>there will always be<br />
a camera like this one<br />
exposing him, in a way</p>
<p>he&#8217;s hanging just like Zahra was, it&#8217;s just that<br />
he never drank alcohol, as far as we know,<br />
and never protested anything either</p>
<p>and if it wasn&#8217;t for a stupid poet like me<br />
no one would have ever noticed his demise</p>
<p>a thought that brings him great comfort<br />
on a cold, distant evening in a room close<br />
to where you are sitting now. </p>
<p>Martijn 29-01-2011</p>
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		<item>
		<title>The Craft &#8211; new poem by Martijn Benders</title>
		<link>http://www.loewak.nl/2011/01/18/the-craft-new-poem-by-martijn-benders/</link>
		<comments>http://www.loewak.nl/2011/01/18/the-craft-new-poem-by-martijn-benders/#comments</comments>
		<pubDate>Tue, 18 Jan 2011 14:58:06 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[craft]]></category>
		<category><![CDATA[square one]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1742</guid>
		<description><![CDATA[Poem about 'The Craft' by Dutch poet Martijn Benders]]></description>
			<content:encoded><![CDATA[<p><strong>The Craft</strong></p>
<p>You have found a stone.<br />
But it is not your stone.<br />
So you keep polishing and polishing.<br />
The craft, you say, is to create a flawless stone<br />
one indistinguishably remarkable.</p>
<p>But it&#8217;s not your craft, is it?<br />
It is the found beast of an old tradition.<br />
True, there are worse things in this world<br />
than a couple of polished stones.</p>
<p>One day you will stretch out your hand<br />
and offer us your perfect stone.<br />
It will glow, in the middle of your palm<br />
like a star only dreamed of by puppets.</p>
<p>You will stand in front of the mob,<br />
expect nothing less than a crucifixion<br />
or, at least, to meet the original stone<br />
receiving its autograph on your corpse.</p>
<p>But no one moves. The crowds stare<br />
only reminds you of the desert of birth.<br />
You, who owns an invisible star, are<br />
now at mercy of a nursing wasteland.</p>
<p>Square one, home of the creator.<br />
But it&#8217;s not your square, is it?</p>
<p>It&#8217;s been around. In all its hidden glory.<br />
In all its hidden glory. It&#8217;s been around. </p>
<p>Martijn 18-01-2011</p>
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		</item>
		<item>
		<title>Lee Grasmick interview with Martijn Benders</title>
		<link>http://www.loewak.nl/2011/01/12/lee-grasmick-interview-with-martijn-benders/</link>
		<comments>http://www.loewak.nl/2011/01/12/lee-grasmick-interview-with-martijn-benders/#comments</comments>
		<pubDate>Wed, 12 Jan 2011 14:05:45 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[dutch]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1738</guid>
		<description><![CDATA[Lee Grasmick interview with dutch poet Martijn Benders]]></description>
			<content:encoded><![CDATA[<p><strong>What originally motivated you to begin writing poetry?</strong></p>
<p>Girls. I thought it was a great way of impressing girls. Of course<br />
later I found out that having an expensive mobile phone works much<br />
better. The girl I wrote my first poem to just looked at me like I was<br />
crazy. So I got the natural idea that I was probably not good enough<br />
at it yet and started with the vain idea that i could improve these<br />
skills. Of course later on I realized that having a crisp hundred<br />
dollar bill sticking out of your breast pocket is much more effective<br />
if you want to get interactive.</p>
<p><strong>Are all of your poems kind of constructed around a main theme?</strong></p>
<p>No. In fact if you investigate this idea closely you will see that<br />
&#8216;themes&#8217; actually do not exist in the entire corpus of poetry. This is<br />
because of the nature of poetry, which primarily is a tool that tries<br />
to name the unnameable. You could, for example, claim lots of poems<br />
have &#8216;death&#8217; as a theme. But do they really? The theme itself is often<br />
just a metaphor for something else. And death is an abstract concept,<br />
in this case operating in the abstract environment of a poem. So what<br />
exactly does it mean to call &#8216;death&#8217; a theme? Nothing much on closer<br />
investigation. A poet could really be talking about anything<br />
imaginable and make it look like a poem about death. Don&#8217;t be fooled.<br />
Poets are tricksters.</p>
<p><strong>How do you feel poetry is beneficial to the world of literature, and<br />
the world itself?</strong></p>
<p>The world of literature kind of stinks. It&#8217;s full of fools who have<br />
invested a lot of time in &#8216;cultural capital&#8217; and are very hungry to<br />
get returns on those investments in the form of recognition. Frankly,<br />
only a complete moron would waste his precious time on this planet<br />
with such insane people. In my opinion poetry wants to have little to<br />
do with those people. The stuff they praise always seems pretty random<br />
to me. They praise good stuff and they praise bad stuff, all is the<br />
same to them. If you wanna write poems just keep out of the world<br />
of literature that&#8217;s what I say.</p>
<p>As to &#8216;what beneficial effect does poetry have on the world&#8217; I am not<br />
at liberty to answer that question since this is one of our trade<br />
secrets.</p>
<p><strong>When you pull together a piece of poetry, is it all at once, or do you<br />
begin a piece and return to it later?<br />
</strong></p>
<p>In my opinion the most effective way of writing poetry is to get up at<br />
0600 in the morning every day and write, write the poem until the<br />
draft is finished. I have heard this from several great poets &#8211; early<br />
in the morning the mind is the cleanest and its most easy to produce<br />
poetry without the mind interfering with itself. Just do that every<br />
day for a few years, then you have like a few hundred drafts. Then<br />
reserve a month or two to rewrite about 50 or 60 good poems from those<br />
hundreds of drafts. And there you go.</p>
<p><strong>Do you have any big inspirations for your poetry?</strong></p>
<p>How exactly does one measure the size of inspirations? How am i<br />
supposed to know if an inspiration is big or not? Sometimes you feel<br />
something, a little tickle in the back of your head. Sometimes you<br />
feel an incredible urge. Is the last &#8216;bigger&#8217; than the first? Better?<br />
Hell if I know. Big inspirations, little inspirations, I do them all,<br />
dude. I&#8217;m an omni-inspirationalist. In my opinion the whole world is<br />
fabricated by inspirations. But now I am getting dangerously close to<br />
those trade secrets again.</p>
<p><strong>Thanks a ton once again, I know you&#8217;re likely very busy and It&#8217;s very<br />
much appreciated.</strong></p>
<p>Welcome, Lee. I wish you the best of luck with your project. Let me<br />
close this interview with one of my favourite poems from Milosz, which<br />
concerns some of the topics we touched in this interview:</p>
<p>A Confession (1985)</p>
<p>My God, I loved strawberry jam.<br />
And the dark sweetness of a womanâ€™s body.<br />
Also well-chilled vodka, herring in olive oil,<br />
Scents, of cinnamon, of cloves.<br />
So what kind of prophet am I? Why should the spirit<br />
Have visited such a man? Many others<br />
Were justly called, and trustworthy.<br />
Who would have trusted me? For they saw<br />
How I empty glasses, throw myself on food,<br />
And glance greedily at the waitressâ€™s neck.<br />
Flawed and aware of it. Desiring greatness,<br />
Able to recognise greatness wherever it is,<br />
And yet not quite, only in part, clairvoyant,<br />
I knew what was left for smaller men like me:<br />
A feast of brief hopes, a rally of the proud,<br />
A tournament of hunchbacks, literature.</p>
<p>Czeslaw Miloszï»¿</p>
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		<title>New Loewak update &#8211; tetralogy, Turing foundation and fund of criticism</title>
		<link>http://www.loewak.nl/2011/01/03/new-loewak-update-tetralogy-turing-foundation-and-fund-of-criticism/</link>
		<comments>http://www.loewak.nl/2011/01/03/new-loewak-update-tetralogy-turing-foundation-and-fund-of-criticism/#comments</comments>
		<pubDate>Mon, 03 Jan 2011 20:42:53 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1735</guid>
		<description><![CDATA[About the tertralogy of Benders, the Turing foundation and the Dutch Fund of Criticism. ]]></description>
			<content:encoded><![CDATA[<p>Hi folks,</p>
<p>For a while you heard nothing from me because I was busy with various projects. As I have already told you I am working on a kind of tetralogy, and already working on those projects they keep changing under my eyes &#8211; it is far from crystal clear how the tetralogy will look like, what exactly it will consist of and whether it will even be a tetralogy as such. </p>
<p>Tetralogy</p>
<p>As it looks now, the series include:</p>
<p>1. A novel that will be called &#8220;Bilderberg&#8221;.<br />
2. A collection of poems with a yet unknown title.<br />
3. A philosophy book named &#8220;Holokapital&#8217;.<br />
4. A CD with electrorap in Dutch<br />
5. A CD with arrangements of Rachmaninov.</p>
<p>I think I currently about 25% of project completion is done &#8211; but I would not dare predict how long it takes for the entire project is completed. As always for me I definitely do not want to put out mediocre products, which in this case a difficult requirement, because to excel in four different genres is by no means easy. However, I am convinced that I will succeed to create a very special package from this tetralogy. Currently, I put the emphasis on the novel, since the poems already quite far advanced and I have made more than 400 songs in one year, enough material to distil things out later.<br />
<strong><br />
Turing national poetry contest</strong></p>
<p>I also have two or three poems in the top 100 of the Turing national poetry contest. The exact number is unclear because there is a poem in the top 100 songs of the same title as a poem that I have sent, but with a different registration number. It&#8217;s possible that someone sent a poem with the same title, or there is an error in the numeration. In the former case I&#8217;m at least represented with two poems in the top 100.</p>
<p>I have sent the organization when it became known the following mail:</p>
<p><em>Dear Maria BÃ¶ggemann</p>
<p>Nice to hear from you. Contrast Events which thinks<br />
the differences between people are an enrichment. I am fully<br />
supportive of that philosophy. Give me a nudge when I&#8217;m in the Top 20.<br />
Top three would be even better.</p>
<p>I just send my standard dressing requirements, so you will<br />
have them ready if the moment arrives:</p>
<p>**<br />
Well-stocked dressing room, where available:</p>
<p>* At least 3 bottles of champagne brand.<br />
* Two black corduroy bathrobes, and a prejacket and an afterjacket,<br />
comfortable slippers.<br />
* Six bouquets of white roses at least every 30 pieces<br />
* Pineapples with umbrellas in them. No grocery store pineapples. No<br />
Dutch flags.<br />
* Animation Girls. Not older than 22, preferably with freckles.<br />
* Masseur<br />
* Two pieces of olive soap, no Riviera.<br />
* NO draft excluders on windows please<br />
* Packet dental floss mint</p>
<p>Possibly, I would not care but would be nice, or a belly dancer<br />
even two.</p>
<p>I look forward very much to this event, and am glad that the organization<br />
is in professional hands. I wish you a pleasant new year with enriching differences.</p>
<p>Martijn Benders.</em></p>
<p>And a few days later in the mail, after consultation with my standin:</p>
<p><em>Marieke, this is Bart, that&#8217;s my standin when I do not finish high enough.<br />
Bart says he he&#8217;s disabled on the 26th. Could you please reschedule the event.<br />
That&#8217;d be great, thanks.<br />
</em><br />
I received a response only today. It was apparently impossible to reschedule the event. Bit weird of course. So much went wrong already in this contest so far. I have sent them the following email:</p>
<p><em>Dear Marieke BÃ¶ggemann,</p>
<p>Thank you for your message. I can hardly understand from it if you<br />
take the dressing requirements seriously. In our industry, this<br />
all quite common, the artists life is a hard existence and<br />
a stage artist must be able to relax before and after in an optimized<br />
environment to maximize the effects of his performance. </p>
<p>You ask me further about the &#8216;number of people &#8220;that will come to the theatre<br />
Frankly, I have little ideas about this. I have no idea<br />
how many fans will turn up, that might also depend on the<br />
promotional materials you will send out. </p>
<p>Your refusal to reschedule the event puts us in a difficult position.<br />
I will consult my standin on the possibilities. Frankly, I have no idea<br />
what exactly he has to do on the 26th. But he sounded pretty affirmative<br />
about the fact that he had something to do It may well be something important,<br />
like a visit to the dentist or get a swimming certificate, who knows. </p>
<p>I can say, to keep it short, that unfortunately I cannot say<br />
in what form we will be present at the contest. </p>
<p>Sincerely,</p>
<p>Martijn Benders</em></p>
<p>Fund of Criticism</p>
<p>Positive news on the Fund of Criticism: that&#8217;s going to go ahead. I have already designed a logo for a website and within about a month the Fun will be operational.</p>
<p><a href="http://www.fondsderkritiek.nl">The Fund of Criticism</a></p>
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		<title>Free Tashi Dhondup, the Tibetan poet</title>
		<link>http://www.loewak.nl/2010/06/28/free-tashi-dhondup-the-tibetan-poet/</link>
		<comments>http://www.loewak.nl/2010/06/28/free-tashi-dhondup-the-tibetan-poet/#comments</comments>
		<pubDate>Mon, 28 Jun 2010 06:08:01 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[china]]></category>
		<category><![CDATA[poet]]></category>
		<category><![CDATA[Tashi]]></category>
		<category><![CDATA[tibet]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1610</guid>
		<description><![CDATA[About the Tibetian poet that has been jailed for writing songs]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.loewak.nl/wp-content/uploads/2010/06/tashi_dhondup.jpg"><img src="http://www.loewak.nl/wp-content/uploads/2010/06/tashi_dhondup.jpg" alt="" title="tashi_dhondup" width="226" height="170" class="alignleft size-full wp-image-1611" /></a>Tashi Dhondup is a Tibetan poet and musician that has been sentenced to 10 years of hard labour by the Chinese government. His crime? Writing songs. Tashi wrote popular songs against the Chinese occupation of Tibet. In protofascist states such is considered a crime. </p>
<p>He is by no means the only tibetan writer or artist that has got arrested recently. Reports indicate that the last three months the chinese government has arrested more than 50 writers, poets and musicians. People who were arrested in the middle of the night and taken away, because they wrote poems, songs or made artworks the autorities disapprove of. </p>
<p>China has become the dark underbelly of our capitalist system. They produce almost anything we use in the western world. That makes us responsible for its policies, in a sense, because we have at many levels been economically and politically merged with their system. Slavoj Zizek once said that China proves Capitalism can very well function without democracy and that this is the biggest danger that lies ahead of us. He may very well be right: except that I believe this is already kind of &#8216;old news&#8217;, in the sense that most democracies in the west have become like show trials. The &#8216;double standards&#8217; people complain about are actually preconditions without which the system wouldnt work. </p>
<p>What can we do to free Tashi Dhondup? I am afraid not a whole lot. We could send mails to the <a href="mailto: chinaconsul_ny_us@mfa.gov.cn ">Chinese Embassy </a> or just spread this story around. I have great symphaty for the Tibetan people, who have been the most spirited and warm people I have ever met in my travels. So yes, I am amongst those that keeps saying &#8216;Free Tibet Now&#8217;.</p>
<p><a href="http://www.freetibet.org/">Join Free Tibet</a></p>
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		<item>
		<title>Interactive is interactive</title>
		<link>http://www.loewak.nl/2010/06/20/interactive-is-interactive/</link>
		<comments>http://www.loewak.nl/2010/06/20/interactive-is-interactive/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 04:43:02 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[media]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1579</guid>
		<description><![CDATA[Poem about the future of the advertisement industry and the dangers of it for mankind. ]]></description>
			<content:encoded><![CDATA[<p>Interactive is interactive</p>
<p>I dreamt<br />
that I could get a nice new car<br />
or no a weird new car<br />
or no a new unknown car<br />
for free, or better said<br />
500 bucks a month<br />
and just a half year<br />
said the salesman<br />
in my dream.</p>
<p>And what happens<br />
after that half year<br />
with the new unknown car<br />
I asked him. &#8216;After a half<br />
year you pay normally&#8217;<br />
he said and I asked<br />
what happens if you can&#8217;t<br />
&#8216;you can sell it and<br />
we simply call it even&#8217;<br />
the salesman who had<br />
just a narrative function<br />
in my dream said.</p>
<p>In my dream<br />
I saw advertisements of others<br />
that sold the same new unknown car<br />
for a quite normal price.</p>
<p>And I thought: yes. That&#8217;s a good action.<br />
That&#8217;s a very good new unknown action.</p>
<p>In the future we will<br />
live our daily life in a world<br />
that is completely free<br />
of advertisements.</p>
<p>Martijn Benders, 20-06-2010</p>
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		<title>The open air library is once again open!</title>
		<link>http://www.loewak.nl/2009/04/01/the-open-air-library-is-once-again-open/</link>
		<comments>http://www.loewak.nl/2009/04/01/the-open-air-library-is-once-again-open/#comments</comments>
		<pubDate>Wed, 01 Apr 2009 18:38:50 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[open air library]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1495</guid>
		<description><![CDATA[Open air library reopens]]></description>
			<content:encoded><![CDATA[<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/AM0xcp3umQs&#038;hl=de&#038;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/AM0xcp3umQs&#038;hl=de&#038;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></p>
<p>The Open Air Library on the highest mountain of Buyukada is once again open. Kerem aka Argos Libertos managed to open it again after the police forced him to shut it down last year but they were no match to his persistance. Kerem cured well from his jump from 3 high in the centre of Istanbul and could walk well again after being operated, first half year with help of a stick. His library has now signed works of dutch poets Arjen Duinker, Tonnus Oosterhoff, K.Schippers and Alfred Schaffer who by means of Bart van der Pligt were kind enough to donate books. When you&#8217;re in Istanbul you should surely stop by and please bring a book or two!</p>
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		<title>New and Collected poems, 1931-2001 by Czeslaw Milosz</title>
		<link>http://www.loewak.nl/2008/11/26/milosz/</link>
		<comments>http://www.loewak.nl/2008/11/26/milosz/#comments</comments>
		<pubDate>Wed, 26 Nov 2008 18:53:15 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[collected]]></category>
		<category><![CDATA[Milosz]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1458</guid>
		<description><![CDATA[Recently I purchased 8 collected works of various poets. I am of course still busy reading and interpreting these poems but I can already say that &#8216;New and Collected poems, 1931-2001&#8242; by Czeslaw Milosz, published by HarperCollins.com is one of the best Collected works I have ever read, and in fact just might be the [...]]]></description>
			<content:encoded><![CDATA[<p>Recently I purchased 8 collected works of various poets. I am of course still busy reading and interpreting these poems but I can already say that &#8216;New and Collected poems, 1931-2001&#8242; by Czeslaw Milosz, published by HarperCollins.com is one of the best Collected works I have ever read, and in fact just might be the best poetry book I now own. I was already familiar with the work of Milosz but this book really demonstrates what an incredibly talented and diverse poet he was. I rate him far above any of his contemporaries, and anyone who loves great poetry simply can&#8217;t afford to have at least one of Milosz&#8217;s collected works (there are others) &#8211; what I can tell you though that this particular one is very complete, well edited and contains translations of over 20 different translators, which is usually a more safe choice than depending on a single translator. Milosz in my eyes was perhaps the most important European poet of the 20th century and he&#8217;s certainly my favorite. You can buy this work on Amazon for a meagre 13 dollars! I will cite one poem, under the poem is a link to purchase the book.</p>
<p><strong>To my daimonion / Czeslaw Milosz</strong></p>
<p>I.</p>
<p>Please, my daimonion, ease off just a bit,<br />
I am still closing accounts and have much to tell.<br />
Your rhythmical whispers intimidate me.<br />
Today, for instance, reading about a certain old woman<br />
I saw again &#8211; let us call her Priscilla,<br />
Though I am astonished that I can give her any name<br />
And people will not care. So, that Priscilla,<br />
Her gums in poor shape, an old hag,<br />
Is the one to whom I return, in order to throw charms<br />
And grant her eternal youth. I introduce a river,<br />
Green hills, irises wet with rain<br />
And, of course, a conversation. &#8216;You know,&#8217; I say,<br />
&#8216;I could never guess what was on your mind<br />
And I will never learn. I have a question<br />
That won&#8217;t be answered.&#8217; And you, daimonion<br />
Just at this moment interfere, interrupt us, averse to<br />
Surnames and family names&#8217; actualities,<br />
Too prosaic and ridiculous, no doubt.</p>
<p>II.</p>
<p>My daimonion, it is certain that I could not have lived differently<br />
I would have perished if not for you. Your incantation<br />
Would resound in my ear, fill me,<br />
And I could only repeat it, instead of thinking<br />
About my bad character, the decline of the world,<br />
Or about a lost laundry ticket.<br />
And it seems that while others loved,<br />
Strove, hated, despaired,<br />
I have only been busy with listening intently<br />
To your unclear notes, to change them into words,<br />
I had to accept my fate, today called karma,<br />
For it was as it was, though I did not chose it -<br />
And get up every day to honor the work,<br />
Even if there is no guilt of mine in it and no merit.</p>
<p>III.</p>
<p>Two five-year-old boys before a poster of a nightclub,<br />
On which a buoyant girl adjusts her garter,<br />
Say something to each other or just stare<br />
At the saurian whiteness of the thigh.</p>
<p>Daimonion, remembering my childhood fears<br />
On this earth of adults, I grasped who you are.</p>
<p>In their night of distant shooting, fires on the horizon,<br />
Coarse laughter, grapplings, harsh breathing,<br />
The heart of a child is troubled. And you, a wanderer,<br />
Your pity is so strong that you avert your face.</p>
<p>You are a friend of the innocent and the defenseless<br />
Who long for the Kingdom, as was that young rich man<br />
So pure that he blushed hearing a lewd word,<br />
And really suffered from it, and probably for that reason<br />
After his short life, they raised him on the altars.</p>
<p>Czeslaw Milosz, from: &#8216;Facing the River&#8217; published in 1995</p>
<p><a href="http://www.amazon.com/New-Collected-Poems-Czeslaw-Milosz/dp/0060514485/ref=pd_bbs_sr_1/181-9007896-1538162?ie=UTF8&#038;s=books&#038;qid=1227725439&#038;sr=8-1">Buy New and Collected Poems 1931-2001 by Czeslaw Milosz</a></p>
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		<item>
		<title>Fatta Morwanna</title>
		<link>http://www.loewak.nl/2008/11/07/fatta-morwanna/</link>
		<comments>http://www.loewak.nl/2008/11/07/fatta-morwanna/#comments</comments>
		<pubDate>Fri, 07 Nov 2008 08:22:08 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[obama]]></category>
		<category><![CDATA[Osama]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[song]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1451</guid>
		<description><![CDATA[Fatta Morwanna Will Obama find Osama or a Drama for his Kamma, will Osama be the Lama or Obama duda Bamma, think iâ€™m gonna do da fonne with ma runna who is wonne but Obama is da Slamma widda Gamma of a Shamma. Think Iâ€™m gonna do da fonne with ma runna who is wonne, [...]]]></description>
			<content:encoded><![CDATA[<p>Fatta Morwanna</p>
<p>Will Obama find Osama or a Drama for his Kamma,<br />
will Osama be the Lama or Obama duda Bamma,<br />
think iâ€™m gonna do da fonne with ma runna who is wonne<br />
but Obama is da Slamma widda Gamma of a Shamma.</p>
<p>Think Iâ€™m gonna do da fonne with ma runna who is wonne,<br />
but Osama bome Mamma wida Hamma ini Pijama<br />
See ya hum into da womma wida hummer that is gonna<br />
Slamma Mamma duda Wamma what a Dramma fo Osama.</p>
<p>Will Osama do da Bamma or Obama do da Slamma?<br />
Me knickin up da Kamma juz to fin a betta Jamma.<br />
Will Obama and Osama be the Samma? Marihuana?<br />
Think Iâ€™m gonna do da fonne with ma runna who is wonne.</p>
<p>Is Obama dan di Fatta an Osama di Morgana?<br />
Is Osama dan di knick and di Fatta Marihuana?<br />
Think Iâ€™m gonna do di wonne with a honne that is bonne,<br />
Fo di Fatta is di Batta and di mary is a Wanna.</p>
<p>Will Osama do da Bamma or Obama do da Slamma?<br />
Me knickin up da Kamma juz to fin a betta Jamma.<br />
Is Obama dan di Fatta an Osama di Morgana?<br />
Di Fatta is di Batta and di mary is a Wanna.</p>
<p>Martinus â€˜Kwesiâ€™ Benders</p>
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		<title>Credit Crisis, market crash, black friday</title>
		<link>http://www.loewak.nl/2008/10/11/credit-crisis-market-crash-black-friday/</link>
		<comments>http://www.loewak.nl/2008/10/11/credit-crisis-market-crash-black-friday/#comments</comments>
		<pubDate>Fri, 10 Oct 2008 23:10:56 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Finance]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[black friday]]></category>
		<category><![CDATA[invest]]></category>
		<category><![CDATA[safe strategy]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/?p=1448</guid>
		<description><![CDATA[&#8230;in other words the perfect day to invest in poetry. We at Loewak will soon open a special section of this site where you, stockholder or investor, can invest into one of the few clean and interesting markets left: the market of poetry. Expect impossible returns, expect a dead cat bouncing, if you waste your [...]]]></description>
			<content:encoded><![CDATA[<p>&#8230;in other words the perfect day to invest in poetry. We at Loewak will soon open a special section of this site where you, stockholder or investor, can invest into one of the few clean and interesting markets left: the market of poetry. Expect impossible returns, expect a dead cat bouncing, if you waste your money anyway why not waste it on something with dignity? Poetry is the answer.</p>
<p>That&#8217;s exactly what I did today. I bought these poetry volumes:</p>
<p>New and Collected Poems: 1931-2001 &#8211; by Cseslaw Milosz</p>
<p>The Collected Poems of Octavio Paz, 1957-1987: Bilingual Edition</p>
<p>The Poetry of Jaroslav Seifert</p>
<p>Selected Poems of Sandor Csoori</p>
<p>A Longing for the Light: Selected Poems of Vicente Aleixandre</p>
<p>Perched on Nothing&#8217;s Branch &#8211; The poetry of Josef Attila</p>
<p>That should get me through this winter. Granted, these are rather &#8216;safe&#8217; choices, but that&#8217;s what<br />
we need in these times. Guaranteed investments. No surprises. World class poetry. </p>
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		<title>A free 4000 page pirated poetry anthology</title>
		<link>http://www.loewak.nl/2008/10/05/a-free-4000-page-pirated-poetry-anthology/</link>
		<comments>http://www.loewak.nl/2008/10/05/a-free-4000-page-pirated-poetry-anthology/#comments</comments>
		<pubDate>Sun, 05 Oct 2008 18:17:34 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[antology]]></category>
		<category><![CDATA[pirates]]></category>
		<category><![CDATA[poems]]></category>

		<guid isPermaLink="false">http://www.loewak.nl/2008/10/05/a-free-4000-page-pirated-poetry-anthology/</guid>
		<description><![CDATA[The website &#8216;For Godot&#8217; today announced a 4000 page poetry anthology free for download. None of the authors had been asked and none of the authors have written the poems attributed to them. Best project I have seen in years. It&#8217;s fun to read the comments of angry windbags that demand the poem they didn&#8217;t [...]]]></description>
			<content:encoded><![CDATA[<p>The website &#8216;For Godot&#8217; today announced a 4000 page poetry anthology free for download. None of the authors had been asked and none of the authors have written the poems attributed to them. Best project I have seen in years. It&#8217;s fun to read the comments of angry windbags that demand the poem they didn&#8217;t write to be withdrawn:</p>
<p>Announcing the release of Issue 1, edited by Stephen McLaughlin and Jim Carpenter. Now available <a href="http://arsonism.org/issue1/Issue-1_Fall-2008.pdf">here</a> as a 3,785-page PDF (3.9 MB).</p>
<p>This issue features new poems by Nada Gordon, Evelyn Reilly, Julianna Mundim, Emmy Catedral, Enid Bagnold, Richard Siken, Stephen Ratcliffe, Michael Gottlieb, Jodie Childers, Norman J. Olson, Brent Hendricks, Sean Kilpatrick, Tom McCarthy, Stacy Doris, Michael Rerick, Corrinne Clegg Hales, Mark Decarteret, Hadewijch of Antwerp, Darren Wershler-Henry, Letitia Trent, Debra Di Blasi, Laura Elrick, Bruna Mori, Popahna Brandes, Robert Sheppard, Diana Magallan, Kristine Danielson, Ed Higgins, Drew Gardner, Kyle Kaufman, Matthew Thorburn, Tiel Aisha Ansari, Christopher Wells, Vanessa Place, Simon Pettet, Grace Vajda, John Bennett, Ian Patterson, Joseph Hutchison, John Cotter, Cheryl Lawson Walker, Scott Esposito, Jason Nelson, Daniel Kane, Kimo Armitage, Alan May, J.D. Nelson, Bob Hershon, Jennifer Karmin, Kim Rosenfield, Nathan Austin, Pearl Pirie, Rosmarie Waldrop, Tara Betts, Donald Revell, Jim Ryals, Danuta Kean, Jeff VanderMeer, Alfredo Bonanno, Irene Latham, Michael Hennesy, Dick Higgins, John Hanson, Billy Merrell, Sam Ladkin, Jeff Ward, Debra Jenks, K. Lorraine Graham, Kenji Okuhira, Sean MacInnes, Adam Seelig, Steve Halle, David Mus, Monique Wittig, Joyelle McSweeney, Daniel E. Levenson, Luke Daly, Henry Thoreau, John Palattella, Abby Trenaman, Kristen Taylor, Vassily Kamensky, David Jhave Johnston, Gene Tanta, Cate Marvin, Alison Roth, Shad Marsh, Asher Ghaffar, Henry Gould, Justin Theroux, Susan Grimm, Bernard Wilson, Ateet Tuli, Laura Moriarty, Mark McMorris, Cruickshank-Hagenbuckle, Jeffrey Cyphers Wright, William Shakespeare, Nick Trinen, Daphne Gottlieb, Magdalena Zurawski, A.K. Arkadin, Matthue Roth, Douglas J. Belcher, After Bitahatini, Neil Schmitz, Liz Henry, Tom Hansen, Craig Saper, Pris Campbell, Afua-Kafi Akua, Amish Trivedi, Chris Hutchinson, Cath Vidler, Sarah Weinman, A.E. Stallings, Robin Blaser, Roland Prevost, Mac Wellman, Steven Schroeder, Joy Garnett, Mark Lamoureux, Julie Clark, Bob Garlitz, Jeff Hamilton, Kara Dorris, Maureen Thorson, Irv Muchnick, Frank O&#8217;Hara, Robin Magowan, C. Allen Rearick, A. J. Patrick Liszkiewicz, Tony Leuzzi, Bhanu Kapil, Sage U`ilani Takehiro, Shellie Zacharia, Lorna Dee Cervantes, Camille Martin, Eliot Weinberger, David Nemeth, Edna St. Vincent Millay, Iris Smyles, Bertolt Brecht, David Forbes, Colin Herd, Sergio Bessa, Zach Wollard, Adam Ford, Claudia Keelan, Hank Sotto, Jamba Dunn, Ken Mikolowski, Jean-Jacques Poucel, Santiago B. Villafania, David Valentinovia, Robert Kaufman, Dominique Meens, Joe Elliot, August Stramm, Justin Katko! Sandra Korchenko, Carol Peters, Lilah Hegnauer, Brian Evenson, Wallace Stevens, Timothy Murphy, Joseph Bradshaw, Nick Courtright, Adam Chiles, James, Kane X. Faucher, David Abel, Ray Succre, Gabriel Gudding, Antonin Artaud, Mark Cunningham, Paul Fattaruso, William Saroyan, Aaron McCollough, Confucius/Ezra Pound, David Antin, Rob Mackenzie, Ryan Eckes, Christian Peet, Peter Riley, Litsa Spathi, Anna Ahkmatova, Mark Tursi, J.D. Schraffenberger, Greg Fuchs, Sean Casey, Orpingalik, Hassan Melehy, Rosemarie Waldrop, Phillip Lund, Adam Aitken, Michael Davidson, Andrea Rexilius, William Allegrezza, Raymond Queneau, Fred Wah, Marcia Arrieta, Elizabeth Cross, Jonathan Greene, Gregory Laynor, Preston Spurlock, Jane Sprague, Kevin Thurston, Stephen Berry, William Bronk, Claudia Rankine, Steve Dalachinsky, Ed Sanders, Sam Rasnake, Wes Smiderle, James Belflower, Simmons B. Buntin, Dolores Dorantes, Emilie Clark, Leslie Marmon Silko, Sarah O&#8217;Brien, Jack Tricarico, Gerard Van der Luen, Frances Richard, Charlie Bertsch, Bob Cobbing, Sabrina Calle, Steven Burt, Stephane Mallarme, Bob Marcacci, Edwin Torres, Lois Marie Harrod, Evgeny Maizel, Luc Simonic, Lawrence Durrell, Amanda Davidson, Pendergast, Gregory Orr, Lepson, Joseph Duemer, Eric Alterman, Erin M. Bertram, Leopold Sedar Senghor, Suzanne Buffam, Andy Nicholson, Edward Champion, Katy Acheson, Okey Ndibe, Jennifer Mulligan, Renee Zepeda, Alfred Kubin, Sawako Nakayasu, David Prater, Forrest Gander, Mike Gubser, Virginia Heatter, Leslie Winer, Ed Schenk, Doug Holder, Russell Ragsdale, Jose Manuel Velazquez, Dick Jones, Gerry Loose, Daniel J. Vaccaro, Rafael Alberti, Jeff Newberry, Igor Terentiev, Micah Robbins, Friedrich Holderlin, Arif Khan, Laurel Dodge, Ann White, Nicolas Guillen, John Lowther, Cathleen Miller, Josef Vachal, Chris Moran, Miyazawa Kenji, Robert Fitterman, Norman Mailer, Doris Shapiro, Talan Menmott, Alan Licht, John Godfrey, James Maughn, Anne Heide, Jasmine Dreame Wagner, Lina ramona Vitkauskas, Judith Goldman, Rich Murphy, Halvard Johnson, Ariel Dorfman, Ed Baker, Maryrose Larkin, Sheila E. Murphy, Rosanna Warren, Jean Cocteau, Clarence Major, Eleanor Stanford, Teresa Carmody, Kenward Elmslie, Rainer Maria Rilke, Ryan Walker, Percy Bysshe Shelley, Nava Fader, Rob Budde, Allison Cobb, Robert Roley, Alison Collins, Melissa Fondakowski, Nathan Whiting, Jess Rowan, Cid Corman, Bob Heman, Libby Rosof, Cassie Lewis, Scott Saner, Roberta Allen, Raymond Farr, Anne Pierson Wiese, kevin mcpherson eckhoff, Troy Lloyd, Lindsay Boldt, Andrea Baker, Meredith Quartermain, Richard Meier, Louise Mathias, Joseph Cooper, Lynn Strongin, Outlines, Suzanne Stein, Richard de Nooy, Sherry, Robert Chrysler, Ton van&#8217;t Hof, Peter Cole, Michael Slosek, June Jordan, Andrew Zitka, Eve Babitz, G.C. Waldrep, Craig Santos Perez, James Sherry, Hugh, David R. Slavitt, Dino Campana, Stephen Berer, Alastair Johnston, Angela Jaeger, Javier Huerta, Jed Birmingham, David Harrison Horton, Alan Baker, Steve Clay, Kevin Coval, Tony Brown, Debesh Goswami, Michael Farrell, Abigail Child, Tanya Larkin, Ron Slate, Emmanuel Hocquard, Lauren Dixon, Jan Zwicky, Andrew Joron, Jessica Wickens, Arthur Sze, David Baptiste Chirot, Steven May, Rob Cook, Ankur Saha, Eric Unger, Chris Heilman, James Purdy, Derek Henderson, James Collins, L.J. Moore, Michael McClure, D.S. Marriott, Michael Heller, Robert Mittenthal, Eileen Tabios, Aki Salmela, Lou Rowan, Jerome Seaton, Lori Lubeski, Paul Hardacre, Rus Bowden, John Wieners, Lauren Levin, Johanna Drucker, Velimir Khlebnikov, Terry Bisson, Martha Plimpton, Miklos Radnoti, Ken Kesey, Matvei Yankelevich, Seth Forrest, Maria Damon, David MacDuff, Kevin Doran, Rob Read, Kristen Gallagher, Rick Visser, Andrei Bely, Sara Crangle, Karl Klingbiel, Jackson Mac Low, Fox, Derik Badman, Paul Griffiths, Oliver Rohe, Mark L. Lilleleht, Michelle Bautista, Monica Schley, Aaron Levy, andrew nightingale, Douglas Messerli, Pattie McCarthy, David West, Jon McKenzie, James Weber, Carlos Rojas, Donatella Izzo, Francois Luong, Daniel Borzutzky, Umm Zaid, Tony D&#8217;Arpino, James Tierney, Tao Lin, Rochelle Owens, Amy Friedman, Natalie Zina Walschots, Kayin Wong, Emily Sher, Deborah R. Geis, Kristen Iskandrian, Brother Tom Murphy, Jeremy Gardner, Alcoholic Poet, Chris Mansel, Keith Tuma, Chris Mansell, Rob MacDonald, Yuan Mei, Stanislaw Witkiewicz, Joshua Schuster, Glenn Bach, Maureen Owen, Richard Wink, Guy Bennett, Eric Elshtain, Reza Shirazi, Tonya Foster, Karl Kempton, Allan Gurganus, Alizon Brunning, Christopher Davis, Richard Foreman, Francois Luong, Yvonne Werkman, rob mclennan, Mark McCarthy, Bill Marsh, Tom Devaney, John Most, Nick Moudry, Jennifer Reimer, Charles Baudelaire, Gabriel Pomerand, Crane Giamo, Vernon Frazer, Mike Basinski, Oliver de la Paz, Leon Damas, Mark Ducharme, Jim Leftwich, Eliot Katz, Pat Lawrence, Jeff Daily, Jefferson Navicky, Tom Savage, Legs McNeil, mIEKAL aND, Leevi Lehto, Allyson Clay, Cy Mathews, Dereck Clemons, Clayton Eshleman, Benjamin Parzybok, Kevin Isu, Laura Mullen, Angelo Suarez, Kate Greenstreet, Andrew Burke, Natalie Simpson, Susan Smith Nash, Peter Gizzi, Dana Goodyear, Terence Winch, Sandy McIntosh, Cris Mazza, James Thurber, Sarah O‚ÄôBrien, Firoze Shakir, Elizabeth Castagna, D.J. Huppatz, David Koehn, Kyra Saari, Philip Jenks, Martin Corless-Smith, Jacques Leslie, Will Gallien, Mathew Timmons, Eric Lochridge, Buck Downs, Ian Hamilton Finlay, Leonard Michaels, Francis Raven, seflo, Nina Shope, Carson Cistulli, Jennifer Banks, Deborah Burnham, Steve Langan, Rosalva Garcia Coral, Betty Stork, Erica Van Horn, Anna Evans, Lizzie Skurnick, Skip Fox, Olde Quietude, Samuel Taylor Coleridge, Jonathan Williams, Sarah Maclay, Pablo Neruda, Richard Tuttle, Fran Herndon, Cheryl Clark, Allen Itz, Derek White, Barry MacSweeney, Eben Eldridge, Sandra Ridley, Normie Salvador, Priscilla Long, Alan Gilbert, Dennis Tedlock, Steve Benson, Brian Whitener, Rene Char, Lawrence Ytzhak Braithwaite, Teresa Ballard, Barbara Henning, Mario Melendez, Jacques Demarcq, Harvey Bialy, Gary Norris, Kerry Shawn Keys, Dawn Pendergast, Aimee Parkison, Michael Cooper, Chris Killen, Les Webb, Roberta Fallon, John Fillwalk, Stephen McLaughlin, Elizabeth Robinson, Bob Heffernan, Zak Smith, Nicholas Lea, Tsering Wangmo Dhompa, Dan Beachy-Quick, Ross White, Stan Mir, Tim Atkins, Poppy Z. Brite, Dylan Hock, Kurt Vonnegut, Mez Breeze, Stephanie Heit, J. Mason, Colleen Lookingbill, John Hall, Michelle Morgan, Alexi Parshchikov, Clemente Padin, Lisa Jarnot, Lance &#038; Andrea Olsen, Mark Wallace, Nancy Kuhl, Xu Smith, Jorge de Lima, Hillary Lyon, Clayton Couch, Gunnar Ekelof, Alex Caldiero, Clifford Burke, Karri Kokko, Brent Goodman, Daniel Clowes, Todd Suomela, Arlene Ang, David McDuff, Bill Sherman, Ezra Mark, Kathryn Pringle, Jem Cohen, Adam Tobin, Thomas Meyer, Clifford Duffy, Anne Waldman, Nancy Shaw, Pilar Olabarria, Chris Maher, Ezra Pound, David Hilmer Rex, Levari, Jerome Sala, Ryan Collins, Alexander Jorgensen, Shouva Chattopadhyay, Linda Susan Jackson, Jonathan Mayhew, Pejk Malinovski, Michael Parker, Claude Simon, Ian Keenan, Peter O&#8217;Brien, Jeannie Hoag, Marcel Janko, Beverly Jackson, Loren Webster, Daniel Knudsen, Michael P. Steven, Rose Kelleher, Mare Mikolum, Marcel Broodthaers, Reb Livingston, Steven Lohse, Faye Smailes, Thomas Kinsella, Peter Middleton, Kurt Schwitters, Lou Suarez, Jay Millar, Paul Holman, Michael Palmer, Larry Eigner, Jean-Michel Espitallier, Charles Bernstein, Bill Allegrezza, Tenney Nathanson, Jeff Crouch, Brian Spears, Peter Makin, Lynn Crosbie, Michael Carr, Robinson Jeffers, Fanny Howe, David Vincenti, Erica Wessmann, Lydia Davis, Craig Teicher, Jorge Luiz Antonio, Matt Christie, Jean-Patrice Courtois, Gregory Pardlo, Nathaniel Tarn, Simone Fattal, Orhan Pamuk, Ofelia Hunt, Louise Gluck, David Pavelich, Lanny Quarles, George Seferis, Louise Bogan, Susan Minot, Star Black, Ted Stimpfle, Michael Lally, Sean Whelan, Arlo Quint, Grace Molisa, Jasmine Dream Wagner, Armand Schwerner, Anselm Parlatore, Tom Orange, Frank Kuenstler, Robin Coste Lewis, MacLaren Ross, Nick, Katey Nicosia, Geraldine Connolly, Sharanya Manivannan, Maud Newton, Kerri French, Charles Shere, Stephen Burt, Tony Fitzpatrick, Mark Peters, A. R. Ammons, Jenny Davidson, Tom Hopkins, Laurie Price, Woody Haut, Jim Toweill, Anne Tardos, Ronald Johnson, Will Skinker, Linda Marie Walker, Dave Schiralli, Rachel Talentino, Christopher McVey, Jordan Davis, Chris Tonelli, Patrick Culliton, Michael Basinski, Christina Brown, Kathleen Rooney &#038; Elisa Gabbert, Maria Benet, Regis Bonvicino, Richard Huelsenbeck, Julia Cohen, Jim Behrle, Stephanie Bolster, Timothy Liu, Donna Brook, Kristin Abraham, Marcus Bales, Patricia Wellingham Jones, Susie Timmons, Clayton A. Couch, Myung Mi Kim, John Litzenberg, Zoe Strauss, Jonathan Meakin, Janine Pommy Vega, John Matthew, Robert Sund, Janne Nummela, Robert Archambeau, Dodie Bellamy, Meghan Scott, Stephen Johnson, Brenda Schmidt, Lisa Flaherty, Martine Bellen, Ron Loewinsohn, Darryl Keola Cabacungan, Chris Ransick, Sean T. Hanratty, Tim Gaze, Kathleen Rooney, Tom Mandel, AnnMarie Eldon, Tom Peters, Billy Jones, Gilbert Adair, Jim ¬†Behrle, Peter Jay Shippy, Amanda Laughtland, Juliet Cook, Joshua Marie Wilkinson, Brian Smith, Aldo Palazzeschi, Richard Denner, Anthony Robinson, Chris Tysh, Christopher Stackhouse, Paul Muldoon, Stefania Iryne Marthakis, Ellen Orleans, Robin Reagler, Susan Maxwell, Delia Mellis, John Baker, Jack Boettcher, Lex Camena, Jeffery Bahr, Veronica Montes, Miriam Nichols, Phil Hall, Tyler Carter, Jessica Treat, Mairead Byrne, C.S. Carrier, C.L. 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Marlow, Martin Larsen, Susana Gardner, David Weinberger, Bill Cohen, Sasha Sommeil, Jill Chan, and so on and on <img src='http://www.loewak.nl/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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		<item>
		<title>The sea is a communist</title>
		<link>http://www.loewak.nl/2008/09/25/the-sea-is-a-communist/</link>
		<comments>http://www.loewak.nl/2008/09/25/the-sea-is-a-communist/#comments</comments>
		<pubDate>Thu, 25 Sep 2008 09:05:24 +0000</pubDate>
		<dc:creator>Martijn Benders</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[baptism]]></category>
		<category><![CDATA[communist]]></category>
		<category><![CDATA[elections]]></category>
		<category><![CDATA[sea]]></category>

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		<description><![CDATA[Somehow I feel that if one would put a nose-picking baboon on one side and a supermodel on the other one those elections would still be a 50/50 tie. That&#8217;s because the only answer massive numbers have to any question is: 50/50! Ask the grains of sand on a beach which way you are going [...]]]></description>
			<content:encoded><![CDATA[<p>Somehow I feel<br />
that if one would put a<br />
nose-picking baboon on one side<br />
and a supermodel on the other one<br />
those elections would still be<br />
a 50/50 tie.</p>
<p>That&#8217;s because<br />
the only answer massive numbers have<br />
to any question is: 50/50!</p>
<p>Ask the grains of sand on a beach<br />
which way you are going<br />
and you will soon<br />
need to be bailed out<br />
by the waves of the sea.</p>
<p>It&#8217;s just that the sea<br />
doesn&#8217;t baptise itself with it&#8217;s own water<br />
to save itself from the sea,</p>
<p>I guess the sea is a communist.</p>
<p>M.H.Benders, 25-09-2008</p>
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